Tuesday 29 November 2011

No Cheese!

'And now everybody...smile!' Click.
The sounds that are at the start of some truly cringe-worthy pictures.
Fake smiles held slightly too long so the eyes glaze over a little, we've all seen them and had them taken of us. Someone says 'Cheese', we all repeat it and end up looking like Wallace having a go at Grommit.
But don't worry, there is a better way.

As a photographer it never ceases to amaze me how often I come across people behind the camera who just don't have great interpersonal skills. They have all the technical knowledge and they have all the gear but they forget that there is real a person standing in front of them.
Now to be fair I do get a bit silly at times when I'm taking portraits (and if we're going for a moody look it can be slightly counterproductive) but on your wedding day I reckon you're supposed to be happy.
Result?
Well some nice really nice photographs (you can see loads in the RobG Photography wedding galleries) and qute a few silly ones.

I want people to come away from having their photograph taken with a smile on their faces.
Over 200 people in a group doing jazz hands at a recent wedding in Kent can't be wrong.



When the bridesmaids are too tall something must be done!


Nice to see him making that special effort with his appearance on the wedding day isn't it?

The jazz hands method of relieveing tension just before the ceremony.

I can't take any credit for organising this awesome bit of photobombing by their son, it was all him.

Sunday 10 July 2011

The camera never lies and Photoshop is evil!

So the AMA has said that photoshop is evil. This headline alone has been enough to trigger rants across the internet.

Lots of people have leaped onto the photoshop bashing bandwagon and denounced it with many photographers saying that they don't use photoshop. Others have said that they don't alter their images in any way – presenting them just as they are in camera.
Very laudable you might say. But is there a little bit more to it than that?

One particular photographer who's a member of an online forum I'm on stated proudly that he didn't photoshop his images. A few posts later, and with some people carefully examining some of the work in his portfolio, he admitted that most of his images are actually manipulated, just using a different piece of software.
Not exactly a shining beacon of honesty there.

Presenting the image as it is in camera does demonstrate lots of things but does this show they don't do anything to change the image? Really?
Take a look at this fantastic portrait of Judy Garland.


The light is positioned to minimise the appearance of any flaws, the chin is lifted to elongate the neck and the arms are raised to create a much more slim body shape – all controlled by a great photographer.
Result – an extremely flattering photograph but unmanipulated? That's a matter of opinion.

While we're here, lets look at the origin of the word 're-touching'. Pretty much ever since there have been photographs there has been a very skilled artist with a brush who would literally paint over various parts of the final print to make it as perfect as possible. This combined with all the little tricks in the darkroom such as dodging and burning meant that an awful lot could be done to change the final outcome. The only difference between those days and now is that we have more control and the techniques are more accessible.

So, where do I stand on this issue? Well I agree with the AMA up to a point. They don't actually say that all Photoshop usage is bad. They do say
'The appearance of advertisements with extremely altered models can create unrealistic expectations of appropriate body image – especially among impressionable children and adolescents.' source - AMA new policies

So if that's the problem there is a very simple solution.
Education.
If everyone knows that pretty much every picture they see in a magazine has been altered they will see them for what they are – an artistic work (admittedly some of them with questionable artistic merit but still...) not a realistic representation. Much like portraits that were painted of the nobility in the 17th Century they are designed to flatter the subject, not to show them as they actually are.

I have tweaked the figure of my subjects in the past (only in Photoshop, there's a name for people who do that in real life) and will do so again in the future, but only by a small amount.
If a bride has an inconvenient blemish on her wedding day I will still remove it on the computer.
In one person in a group isn't smiling I'm still going to go to a different picture and swap their head from the one where they were.
I don't see anything wrong with that.

So there it is. My camera doesn't lie, but my finished pictures might fib a bit.

And finally if you want to have a look at an opposing viewpoint -

Tuesday 15 February 2011

Going really low tech.

So, after spending thousands of pounds on camera, lenses and lighting it seems a little strange to go all the way back to doing things in a very old fashioned way.
I got the bug for this a while back when I went for a pre-dawn wander and took some landscapes. I couldn't get an accurate light reading so I just plugged in the cable release and timed the exposures with my watch. Some of the resulting photographs worked, others didn't but the feeling it gave me was quite different to what I was used to.
Most of my photography is about precision (of focus, of lighting, of composition...) so to start guessing at how things were going to work was both exciting and a little nerve wracking.
I took it one step further and started to experiment with a pinhole lens.

There are various ways to make them, but I went with drilling a bodycap for my camera, putting a pinhole through a piece of coke can and then using duct tape to hold it in position.
The result is that I can't look through the viewfinder to see the subject (well I can, but there's nothing to see) and I have to guess what the light will do.
I've used it for landscapes.



I've used it for photographing a bonfire.


I've now even used it for taking portraits.

The effect is soft and imprecise but I like it.
The pictures don't feel like anything else I do, they force me to be more creative and they're satisfying in a way that's actually quite hard to describe.

I'm not saying I'm going to abandon my lenses completely, or that this is going to be the end of chasing after the extra bits of photography gear that are tempting me, but I do feel the need to push myself and find different ways of representing what I see.

Isn't that what a photographer is supposed to do?

See more of my work on my website here: RobG Photography
Get involved with World Pinhole Day

Monday 7 February 2011

That black really isn't faded...

                Picture © Bill Hale

I really like combining a few of my favourite things into one day. Saturday was a really good one. I went down to London with my wife and visited a friend's new flat, went to see a photographic exhibition and ended the day at a birthday party seeing lots of old friends (and having big discussions about ideas for shoots – watch this space). Now it's not that I didn't enjoy meeting up with everyone, but for this blog I thought I'd just write about the exhibition.

Proud Gallery in Camden is currently hosting Fade to Black, a collection of photographs by Bill Hale of the band Metallica taken between 1982 and 1984 when they'd just started out playing gigs at such venues as The Stone and The Old Whaldorf in California.
I love really great music photography, I've done quite a bit of it myself and having seen the band a few times live, I was really intrigued about these pictures from their early days.

A lot of the articles I read about this exhibition are accompanied by backstage shots, the kind of rock star antics behind the scenes that you would expect (beer, girls, making silly faces) but that's not what really grabbed me. The images that really stuck in my head are of the performance. Bill Hale used just the light that was on the stage and as a result really captured the atmosphere and energy of them playing live in tiny venues with fans pressed up against the stage screaming their support.

You might be thinking that you could see all these pictures online, why go to an exhibition?
The picture that I've put up here of the whole band was one of my favourites, but seeing it on a screen can't compare to standing in front of the 30” by 40” print; being able to see the grain of the film and the image as a whole exactly as Bill Hale intended it to be seen. No issues with a monitor that's too bright or dark, no leaning closer to the screen to see the fine detail. Just the pure experience of looking at, and enjoying, a great photograph.
There is, for me at least, so much more of an emotional connection seeing the real thing in the flesh.
 But don't take my word for it.
The exhibition runs until April 11th and if you go along on a Saturday afternoon as I did, you might be lucky enough to hear some great live music (the coffee and cakes are pretty good too).

Find out more about the Proud Gallery Camden

Visit my website - RobG Photography